Sunday, July 15, 2012

Ancient Interrail


Piccadilly Circus 


Thames


Thomas Cook, London - there I bought me first interrail ticket for european railroads , one month free riding in trains all over! I had been living in London and thus started my way home... On the whole it took almost three months and two interrail tickets! This was in spring 1974, might have been April... don't remember so well and too lazy to check... Anyway, with the ticket I bought Cook's Continental - all european trains and busses, a timetable. I saw it sometime ago somewhere, a brick red book with pages dog's-eared! Drawings and short notes all over pages... 

So that was the start, and I was traveling alone. I had friends all over Europe though, and the world is not dangerous, at least if you keep eyes open and use some common sense. During the whole time there was just one incident: in a train in northern Italy the conductor came to my compartment while I slept and tried to grope - cut it short by kicking his balls. A girl has to be prepared! And I did hitch-hike from Marbella to Torremolinos in the middle of night, past midnight, and a guy took me on - he spoke just spanish so it was a quiet ride. Nice boy, shy... nothing happened. But that was much later, after Morocco...

I went to Dover, and the ferry to Calais had some wind and sunshine. Paris - my friend was meeting me at the station and we had supper with some more friends in a midtown restaurant. Saw Notre Dame in moonlight! Some days there walking the streets and to next friends in Clermont-Ferrand. And again some days there and on I went to Lyon. One of my friends in Clermont was studying in Lyon Polytechnic and he smuggled me for a couple of nights to the dormitory - guys only!! I shared a room with a nice and shy young man, Jean-Luc, and we had supper at Paul Bocuse's restaurant - the boys had a band and they plays there in a wedding. Google Bocuse, if you don't know... There was also excellent cock-au-vin in a small place near the car museum! Gosh I miss the feeling of adventure!

Roofs of Clermont


And the rails go on south to Marseilles, where the hostel was across the city and it was night, but I managed to find the place! Then to San Remo, no, first was Monaco and Montecarlo and the Oseanic museum of Cousteau, yes. It was such an expensive city that after the fishes I just continued to San Remo. I must forget something, but then I was in Munich with other friends - frightened to death by a ride in a red Porche on the Bavarian autobahn by a young man, 150 miles! And Schwabing in the night with some wine and beer.

Bernese Oberland, Interlaken and small village Murren high in the Alps - funny little train going up the slope... And those beautiful days walking the mountains meadows full of crocuses, and Jungfrau there gleaming huge in the evening sun. But it was not idylle I was looking for so back to the coast and over the border to Spain. Night train from rainy Barcelona with the shocking Gaudi monument Sagrada Famiglia to Malaga - it was a wonderful trip: we were a bunch of young people, two german, four canadian, a couple spanish guys and me... somewhere there is a photograph taken on some station pier of us all. Yes, it was wine and song all night long. And in Malaga everything was closed. Patiently we waited some hours for a buss to Torremolinos, me and the canadians, two girls and two guys, and the german boys Wollf and Raf. 

Torremolinos - it was a meeting place for young from all over the world. I got stuck there for some weeks. There was a bar Figaro in the Carihuela beach owned by a swedish woman living in Rhonda, and run by three canadian guys. Oh those paellas... They had an apartment rented and they made occasional trips to Marrakesh... I still have my thick moroccan kaftan... 

Torremolinos means 'the land of windmills' and there on the top of the cliff is the old windmill.




Then one morning I had a glass in my hand and opened the tap to drink water, and the water came with such force that the glass dropped and went straight through the washbasin... Somehow that made me think of leaving... and in the next evening the boy I had shared the bed with saw me to the buss, that went to Malaga. I took a train to Madrid and from there the Talgo to north. I remember staying in Burgos for a day just walking alone the streets - it was still Franco's regime and militia was everywhere, a bit unnerving if not frightening...

Then I was in Bordeaux and back to Clermont. I saw Jean-Luc standing by his Citroen 2CV on the street and he took me to their house in the mountains. Old farmhouse it was with massive fireplaces and delicious food. Some days there and some in the town, and then to Leiden, Netherlands, to see one of my best friends, who was working there in the local hospital. I stayed with her, went to Katwijk-an-See for a few days, then back and we went to Amsterdam together for the weekend. I do remember visiting the van Gogh museum... and Dam and walking the streets by those canals... and Keukenhof, all those flowers, and there were some kind of greasy things one got from the street kitchens, yummy...

She went back to Leiden and I knew I was bound to go home... but no, I did not want, not yet - so I took the train to Paris... but my friends had left - just an empty house, and the neighbors said they were in Egypt... So I was all alone... I went to one of the stations not knowing what to do, and there was the Orient Express just leaving! On board and there I was on my way again! Through northern Italy - in Trieste some fat ladies came to my compartment talking an unfamiliar language and when we had passed the yugoslavian border - passports, please! - and well our way towards the city of Moshtar, the ladies started to strip: off came several skirts and blouses, maybe a dozen tights... And they just laughed at my surprise!  It was smuggling in small scale, yes, quite usual in those days.  

Then there was the old man with bread, ham and fresh onions. He invited me to share his breakfast and I still remember how we dipped those onions in salt and how delicious it was. And Neretva was turquoise and the bridge, ancient stone bridge over it in Moshtar was beautiful - the bridge was then blown in the war... On and on all the way to Belgrad, where I felt so fed up I left the train. I was plain dirty and needed a shower. Belgrad is a big city with wide streets and I was so tired... I went to the reception of a big hotel and asked for a shower for an hour or so. Lucky me the receptionist had a great sense of humour! I had an empty room for an hour and had a wonderful warm shower, washed my slimy hair and was ever so grateful!

Zagreb - some students curious about west... A buss to Ploce and from there to Dubrovnik - oh it was raining all the way heavily!  In Dubrovnik there was an info just near the buss station, and there the guy said there was not a single bed available in the whole town! I was wet and depression began to lurk in my mind. There was this other guy, his friend I dare say, standing near, and he said, that I could come to stay with him. I must have looked funny because he hurried to explain that he lived with his parents in their house and his sister was studying somewhere else so her room was available! And so I was cared for by these unknown friendly people for a week so well... It was just great! 

In the old Dubrovnik (they have used it to film the Game of Thrones city King's Landing) I one day bumped literally to a big man in a street corner and  he cried 'well if it is not my little friend Teri!!' He was one of us in Torremolinos, small world, and he was going to Afghanistan and then to Katmandu - it was just so close I did not join him... 

But I did not. Back to western capitalism and Venice in the moonlight... and then slowly towards north, home, studies...  Must have forgotten a lot but remembered some spicy bits... oh and then there was the Salzburg episode: here

And then one day I was home again... 

me in those days...

Sunday, May 06, 2012

"I Am Fishead" Are Corporate Leaders Egotistical Psychopaths ?

Critical thinking and emotions should not be banned in organizations and business - the alternative too often is fascism...

Tuesday, March 06, 2012

Of cinematography...







1. march 2012

I do love these chains of coincidences: Tonight I just happened to remember an old movie and thought to watch it - ‘Nine and 1/2 weeks’ from 1986 I think with Kim Basinger and oh so young and sweet Mickey Rourke as a couple in an erotic romance which was not so erotic - I don’t think messing with food is at all exiting, but it takes all kinds… Anyhow this movie - I started to watch it and … yes, I did remember I had liked it because of the cinematography anno da zu mal, and gosh it is lovely: the city streets, light, rain, people and a lot with tele! And the light, backlight in many scenes, in different spaces and on faces!!! Just love it - no dull dark and suffocating, no, but light, life, movement, quick cuts.

Guess what! I looked it up in IMDb to see the cinematographer - Peter Biziou, by the way - and it so happened that the same guy has done the same job in ‘Damage’! Of these two Damage is a lot better - this Nine  is somehow messy, just does not work, convince, as a movie. But Nine is a lot more beautiful, uuuh! I saw Damage just a few days ago and I think it is very good in it’s class mainly due to Binoche and Irons.

It was no coincidence - I’m getting magnetized and begin to draw to me certain type of stuff! And that wonderful rolling reggae…












    The streets, the city alive and pulsating all around with people, animals, work...






    Every frame is pulsating life and different types!

























    Alone with him for the first time...  in a floating apartment of his friend. He talks about taking risks and she gets cold feet... The light comes through the curtains, soft and natural like, a bit dusty and very beautiful leaving the background dark and sculpting the faces...







    At work, walking the streets and together...















    And the scene in the night running from the scoundrels and after a heated fight fucking in the stairs under a leaking water pipe - and again the light, all those elements it plays with from the street to the water...

    and that hunting cat... =)

















    And her trip to the country to see the painter Farnsworth, who lives in a world apart...







    And then he sets up some tricks for her:
    submission, a female caress - and she runs... to a porn club and a stranger...
























    The exhibition of Farnsworth has the opening night and she sees the contrast between the city freaks and the old artist all too clear and it makes her sick! She turns to John...



    And she leaves him...
    Back to the streets...

    Revenge: two approaches in two films





    'The Fourth Angel' and 'Stranger in You'



    Last night I did watch 'The Fourth Angel', which I have seen once before a year or two ago. It has Jeremy Irons in lead and as I like the style of Irons and had a notion that it was a decent movie it was my choice. 

    The film deals with revenge. Partly coincidental and at the end quite planned and willfully executed. This man Elgon has a wife and three children, two girls and youngest a boy. They are going to Goa in a bit conflicting circumstances. The plane has to land to Limassol, Cyprus, due to malfunction that turns out to be arranged. There a group of terrorists enter the plane and hijack it on the airport. Due to early alarm the plane is unable to rise and the situation bursts to open fire and some fifteen casualties, among Elgon's wife and two daughters, that are shot dead in front of his eyes and burned by the kerosene fed fire. 

    Elgin, the boy and granny continue existing. He is an editor in The Economist and through his work gets to know all kinds of things. The terrorists were caught but are released without further consequences, which enrages Elgin. In the plane there was a man with a briefcase and Elgin saw how he was shot dead. His name is not in the list of casualties. Why? Something odd is creeping round this drama. A CIA man offers hints...

    Elgin goes to a printing establishment ran by serbs and from a man there he gets an address. To this address he enters by  breaking in through a roof window  leaving his bike outside. There is no-one but the lights are on. He takes some papers and there are a lot of guns,  machine guns lying around. Then he hears noises: men are coming. He takes a gun and tries to creep out but is noticed. In the following fight he manages to kill three men - all of whom are terrorists. He gets out unharmed and drives home. The incident is in papers next day as a gang fight. 

    A black american investigator Jules Bernard opens a new line of investigation: the survivors of the hijacking who lost someone. And that is how they meet with Jack Elgin. Something in Elgin - indifference, eccentricity? - starts dig him and he doesn't want to let go. Meanwhile Elgin kills another of the terrorists - this time intentionally and with a detailed plan.

    Bernard has also other suspicions and he takes some illegal procedures to pursue them getting clear results. More shooting to come and grande finale with hus-hus-agreements. And Elgin relaxes with his son on a sailboat... He is in peace with the past.







    There is this other film I saw a couple of times some years ago on Canal Digital, 'Stranger in You', That tells about a woman in love with a guy, dark, tender, sensual guy. The woman is played by Jody Foster and she is a radio journalist. One night they are walking the dog when a gang hits them. The guy dies, she is injured and the dog taken. Someone of the gang takes the whole thing on video with a phone.

    She gets better but can't rid the sights, memories of that night. No one is caught, arrested, not even questioned. She meets the police  responsible of the investigation, a black guy. And then she buys a gun. A hand gun kind of for safety. With this gun she shoots a guy in metro - there was some incident... I don't remember - maybe there were more boys and they teased someone... Anyway she just shots them and walks away. Nobody noticed. The same black cop is assigned to investigate these metro shootings. Yes, more kills happen... random kills...

    Until she gets the video made of the mugging that killed her boyfriend. The guys guilty are identifiable and she starts to pursue them. Meanwhile he somehow senses that something is going on in her and suspects... and of course there is the great crescendo when the bad guys die and the cop teams with her lending her his gun...


    Two films with similarities - yes, differences too. Revenge after violence... seems to be violent. And  it seems to be spontaneous... Loss gives a right to act.  The Angel is classified 'thriller, drama, action' in IMDb getting 5,5, and Stranger as 'crime, drama, thriller' and 6,8 points. This is interesting. Drama means that someone dies. Thriller means a bit quicker rhythm  or tempo, not so much talking but editing. And crime - yes, they had some talk about justice and judgement, guilt etc in Stranger, and no speculation of guilt in The Angel, so maybe that makes it action. Of the points 5,5 and 6,8 I just wonder - how is it that the more sweat and shit a movie contains the better it is supposed to be? I think it is just because the critics (whoever they are) are just too lazy: stuffy thinking is so easy... But the fact is I never liked Dostojevski or Kafka. The Angel has surroundings and more air but of course the persons are socially more middle class. As if middle class would mean less feelings. I always did like Antonioni and his way to use scenery... 

    I think a character is built by using all possible means - the actor as person, way of speech and gestures, hair, clothes, room, apartment, car, places etc everything. Not only the words. Misleading to use text as a bible because in reality - that the films are supposed to mirror in a metaphorical way - people act not only by words but because of other incentive - not everything happens in our head. Some people are more visual and some more auditive, some even may be sensual... 

    What about me and my number? I did like them both. There are visuals in Angel that I like a lot. On the other hand there also are some gross stupidities and shortcuts. On the other hand too precise storytelling does not give the audience a chance to breathe or think and exercise their intelligence... Suspense is not only agonizing but also challenging - at it's best. And too subjective is not always interesting.  Stranger is more everyday with neighbors and street violence.  Angel has politics and international terrorism compared with family life. Ok, Stranger is more believable, but does a film have to be believable? Bah!

    6,5 for both... is it too much? Always doubting... Maybe it is too little!


    Facts: 

    The Fourth Angel, 2001
    96 min

    Dir. John Irvin
    Jeremy Irons, Forest Whitaker, Charlotte Rampling


    Stranger in You, 2007
    122 min

    dir. Neil Jordan
    Jodie Foster, Terrence Howard, Naveen Andrews




    Saturday, February 25, 2012

    Tarkovski on Arts, Solitude and Life

    YouTube- Andrei Tarkovsky interview part 1.avi

    Andrei Tarkovsky, A Poet in the Cinema - Part 3

    ROAD TO BRESSON - Weg naar Bresson.mov






    I remember seeing 'Lancelot du Lac' years ago and I was very impressed by the 'partial pictures' like here the horse's hooves - sometimes it is better not to see everything...

    Cinema with an atmosphere…






    Some films make me feel the same way - not all are alike but definitively there is something  relating them, at least in my mind… this passion, this sudden sensual infatuation, obsession… that leads to death. Someone’s death, accidental or planned… loyalty not intended. There  are of course others I do not remember at this moment - and of course there are only those people who have experienced something like the feeling described in these films that do understand/like them… or see it necessary to try to make films of such events.  None of these has scored over 8 at IMDb - sentimental rubbish, but there is something very interesting in this kind of rubbish. By the way I do like also Deathrace, 2008, and The Devil Wears Prada, 2006, that scored respectively 6,5 and 6,7 - not such a good taste mine! =)



    Damage, 1992 by Louis Malle (pictures)
    La Femme d’a Cote, 1981 by Francois Truffaut
    Senso, 1954 by Luchino Visconti
    Constant Gardener, 2005 by Fernando Meirelles
    The English Patient, 1996 by Anthony Minghella
    Jules & Jim, 1962 by Francois Truffaut